| A View From The Train |
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| Railroad Model Craftsman 2002-09 |
Wayne Wesolowski |
pg. 48 |
Scale: |
Photographing from within a moving train in Illinois. |
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| Better Layout Photos |
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| N-Scale 2005-07/08 |
Robert L. Hundman |
pg. 34 |
Scale: |
An overview of photography, and many example photos of what is good and what is wrong with the photos, as it applies to model photography. |
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| Better Layout Videos |
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| Model Railroader 2006-03 |
Todd Brown |
pg. 56 |
Scale: |
This article covers video taping your layout. It discusses essential gear, dealing with location and lighting, setting your white balance, exposure control, and has two side bars on using today's small video players to show off your layout, and video editing tips and tricks. |
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| Capturing the Operating Session with Digital Cameras |
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| N Scale Railroading 2003-07/08 |
Brian Morgan |
pg. 62 |
Scale: |
Describes the set up for the article on page 30 of this issue. |
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| Digital Photography for Model Railroaders |
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| Railroad Model Craftsman 2003-04 |
John Edwards |
pg. 73 |
Scale: |
Describes the (then) current state of digital cameras, and includes quite a bit of information about the basics of photography, such as depth-of-field, lenses, white balance, and how to manipulate digital photos after they have been copied to the computer. |
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| It's a Styrofoam Sky! |
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| Model Railroader 1991-03 |
Lou Sassi |
pg. 131 |
Scale: |
Using a piece of blue styrofoam insulation board as a quick-n-dirty sky background for photographing dioramas or models. Clouds are optional. |
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| Model Photography 3 |
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| Railroad Model Craftsman 2002-08 |
Bill Schaumburg |
pg. 112 |
Scale: |
Lighting of both models and layout. Exposure and composition. |
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| Model Photography with Helicon Focus Depth of Field Software |
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| The Keystone Modeler 37 August 2006 |
Douglas Nelson |
pg. 13 |
Scale: N |
The author describes the use of the software and includes several photos that compare results, including how to add smoke to a scale steam engine. |
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| Photographic Techniques with Helicon Focus |
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| Model Railroading 2006-01 |
Rich Yourstone |
pg. 36 |
Scale: |
The author uses the Helicon Focus software product to create some stunning photos of his N-scale layout. Incredible depth of field. |
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| Photographic Techniques with Helicon Focus |
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| N Scale Railroading 2006-01/02 |
Rich Yourstone |
pg. 34 |
Scale: |
The author uses the Helicon Focus software product to create some stunning photos of his N-scale layout. Incredible depth of field. |
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| Photography 101 |
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| Model Railroader 2002-09 |
Lionel Strang |
pg. 96 |
Scale: |
Choosing a camera, lenses, tungsten film, lighting, composition, depth of field, and bracketing. Includes digital photography tips with minimum requirements for MR publication. |
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| Reference Photo |
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| N-Scale 2002-11/12 |
Adam Pizante |
pg. 60 |
Scale: |
Feather River canyon photograph |
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| Sunlight Warm Up Your Shots |
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| N-Scale 2005-11/12 |
Ron Bearden |
pg. 46 |
Scale: |
Two photos showing the difference between indoor and outdoor photography of an engine. |
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| That's a Wrap |
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| Railroad Model Craftsman 2002-08 |
Joe Morrison |
pg. 70 |
Scale: |
The story of Allen Keller's video taping of the Franklin & South Manchester session # 3. |
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| The Digital Darkroom |
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| Model Railroader 1996-10 |
Art Cominio |
pg. 78 |
Scale: |
The author describes how he managed to get a photo of himself in a photo of his model railroad using a computer and Photoshop. |
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| The Next Digital Revolution |
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| N Scale Railroading 2002-09/10 |
Keith Thompson |
pg. 62 |
Scale: |
How to photograph model layouts using digital cameras. |
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| Tips on Photographing Your Model Railroad |
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| Railroad Model Craftsman 2006-02 |
Fred Lagno |
pg. 56 |
Scale: |
The author discusses using a fog machine to hide backdrop edges and transition. Several "right" and "wrong" photographs are shown as examples of the topic discussed. |
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| Using Photoshop Elements® for Model Railroading |
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| Railroad Model Craftsman 2008-01 |
Jack Burgess |
pg. 63 |
Scale: |
The article describes how the author scanned an prototype photo, and enhanced its sharpness to be able to better distinguish details about the scene. Brightening up a photo can bring out details that otherwise might be lost to the eye. How also shows how to make a realistic "Bad Order" sheet. |
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